By Carlo Celli, Marga Cottino-Jones
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Additional resources for A New Guide to Italian Cinema (Italian & Italian American Studies)
The Socialists feared Allied military intervention in the event of a Marxist revolution as had occurred in Russia in 1917. In late 1920, Mussolini’s Fascists began a campaign of political violence, at times with the apparent consent of public safety officials. According to Fascist propaganda between 1918 and 1922, Mussolini prevented a Bolshevik-style totalitarian revolution from taking place in Italy. In reality, Fascism brought the end of representative parliamentary government and the institution of Fascist totalitarian dictatorship.
Such films did not accept distinctions between documentary and fictional film narratives. U. (1948). 4). Visconti was born into the Milanese aristocracy in 1906. The Visconti name stands alongside other great ruling families in Italian history such as Della Scala and the Medici. Luchino enthusiastically developed his cultural and artistic interest in theater and opera. 39 Visconti eventually returned to Italy and joined the Cinema group led by Vittorio Mussolini. He directed several plays and then made Obsession (1943), an adaptation of James Cain’s novel The Postman Always Rings Twice.
There is a dire depiction of Teresa working under the lustful eye of a butcher to the vapid frivolity of the rich girl aptly named Lilli Passalacqua (Lilly PasstheWater), or the manner in which Teresa is spied upon by one of her fellow orphans, or the reliance as a universal cure all by the pediatricians at the orphanage on cod liver oil, a supplement with political overtones from its use to publicly humiliate Mussolini’s opponents during Fascism’s revolutionary period. Films like Doctor Beware were important for the later development of the commedia all’italiana (comedy Italian style) of the 1950s and ‘60s which would rekindle the technical ability shown by De Sica to provide quick and efficient characterizations that supplied often devastatingly ironic social commentary in a comic setting.
A New Guide to Italian Cinema (Italian & Italian American Studies) by Carlo Celli, Marga Cottino-Jones